In my rapid and rabid discovery of Guru Dutt, after having watched almost all his acted, directed and produced movies and a documentary on him, I have now moved on to his books. I have read three so far, am in the midst of one, have one more to go, and want to get my hands on the only one I don’t have yet, but also the most expensive. (That has letters from GD to the other GD, Geeta Dutt, his better half and singer in almost all his films, written over the 13 years of their togetherness, and so costs what it does. But I will get to it, I will.)
All the books are, aptly, around a certain theme or have a certain leaning. The one I’m reading right now actually is about Abrar Alvi, who wrote the dialogue for his films and directed one (Sahib Bibi aur Ghulam; its songs though, like all GD films, were directed by GD himself). It’s about the 10 years he collaborated with GD, and is thus called Ten Years with Guru Dutt: Abrar Alvi’s Journey. It’s authored by Sathya Saran, former Femina editor, and is structured interestingly: the chapters are named after songs in GD’s movies, and achingly, begins with his death through the Kaagaz ke Phool lament Bichhde sabhi baari baari.
A couple of others (In Black and White: Hollywood and the Melodrama of Guru Dutt, by Darius Cooper, and Guru Dutt: A Tragedy in Three Acts, by Arun Khopkar, translated by Shanta Gokhale) read more academic and go into the realm of philosophy and psychology, regularly bringing up Jung and Freud. While Cooper, as his book’s title goes, talks at length about the various kinds of melodrama in GD’s movies, Khopkar brings up one theme quite often: self-destruction. How self-destruction was a recurring thought in GD’s movies, and although not saying it directly (the scope of the book is not biography, as Khopkar states at the beginning), also in his life.
Since Khopkar looks at GD’s movies through the twin lenses of philosophy and psychology, perhaps we do the same for this comment. What is self-destruction? And through whose eyes? Perhaps “self-destruction” is living your life your way rather than that prescribed by the world, and paying the price for that. As I often say (as I am often at the receiving end of society’s diktats myself), the world / society does two things to an individual who goes against the grain: It tries to bring them “on track”. And if they don’t fall in line, which is the case with most individualistic people, society pronounces them “evil” and marks a tortured path for them.
Guru Dutt was a perfectionist, idealist, humanist and romantic in his movies, and I can safely add, in his life too. And perhaps paid the price for that. Or should I say, self-destructed.
But I also read somewhere that our purpose in life – and here’s adding a spiritual lens to this discourse – is the “completion of the soul”. GD’s movies were full of soul, even the lighter ones (such as Aar Paar and Mr and Mrs 55), and they filled the soul of their viewers, and continue to do so, more than fifty years since he passed on. Hmm, maybe that’s why he departed so early. He had managed the completion of his soul. Hopefully, it rests in peace now.