Personal. Victory.

Vijay. It’s such an apt name for Guru Dutt’s poet character in Pyaasa. The poet who is despondent with the way society treats artists and the way the world treats women. Who, frustrated with his lack of success, rushes off to fling himself before a train mid-way through the movie. Who leaves it all – fame and fans – behind to walk away into the sunset to a far-off place with a streetwalker. ‘Victory’ is an apt name for this character? Absolutely.

Vijay, or Bijoy (as the Bengali pronunciation goes), is victorious from beginning to end. He refuses to sell out as a poet, not interested in catering to easy, romantically inclined readers. He refuses to have anything to do with people who spurn him when he was struggling and are quick to establish a relation with him once he gains fame. He refuses the recognition that comes from vanquishing an artist’s soul.

As he walks away into the sunset, hand-in-hand with Gulaab, “to a place far from here, from where he doesn’t have to go far anymore”, you get the feeling of Vijay setting off on his own, small, personal victory march. You celebrate a little bit with him, and if similarly inclined, feel like following him on that march. Happy. Ending.

Some other time, await a post on the symbolism of the names of the characters GD has played in his movies, at least the well-known ones.

 

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